Rabbi Hillel Goldberg / Beshallah Shira
Symbols of undisputed unity
In an era concerned about Jewish unity, consider: to my knowledge, there
is
no Jewish group, sect, rabbi or leader who suggests altering a single
letter in the Masoretic Torah scroll, or a single ritual requirement for
its preparation. There is no greater Jewish unity today than the
unanimous
agreement on the Torah scroll.
A Torah scroll is a sight to behold. To be kosher, or fit, each letter
must
be shaped according to exacting calligraphic standards, and not a single
letter may be missing. A misshapen or missing letter -- a single one! --
cancels the fitness of the entire Torah scroll (it may not be read in
the
synagogue). Further, many other stylistic requirements give each and
every
Torah scroll throughout the world a clear and uniform beauty.
I choose this portion to delve into the design of the Torah scroll
because
this portion contains one of the Torah's two major "typographical"
variations: "The Song of the Sea." The second variation is the "Song of
Moses," in the second-to-last portion of the Hebrew Bible.
The Song of the Sea, which Moses and the Jewish people sang after their
tormentors, the Egyptian taskmasters, drowned in the Red Sea, is
presented
in unique fashion. Instead of being inscribed line by line, with each
line
of equal length, and all lines together forming a vertical rectangle,
The
Song of the Sea is inscribed in this fashion:
Then Moses and the Children of Israel
The actual Hebrew lines break differently in the Torah scroll from the
way
they break in the English translation above, but the design principle is
the same: a full line on top, followed by this pattern: a line split in
three, with words on each end and also in the middle; a line split in
two,
with words on each end; a line split in three again, etc.
Actually, though all the other passages in the Torah (save the Song of
Moses) are vertical rectangles, the scribal and design requirements of
the
Torah are extraordinarily complex. I record most of these requirements,
each and one of which must be followed to yield a kosher Torah scroll.
There are 14 Hebrew words representing names of G-d. Some hold that "I
am,"
as in Exodus 3:14's "I am that I am," constitutes a 15th name of G-d.
Rarely, a Hebrew word representing a name of G-d has a secular
connotation.
Accordingly, the scribe need not follow the procedures just outlined. In
Genesis 31:53, for example, Laban tries to settle his dispute with Jacob
by
telling him:
"May the G-d of Abraham and the god of Nachor judge between us -- the god
of
their father."
Abraham and Nachor were brothers. Abraham was a monotheist, Nachor an
idolater. Laban was a pluralist, appealing to the gods of both of his
ancestors: the One G-d and the idol-god. The "G-d of Abraham" connoted
the
One G-d. Accordingly, when a scribe writes the Hebrew word for G-d in
"the
G-d of Abraham," the scribe follows the ritual procedures outlined
above.
Although the Hebrew word in "the god of Nachor" is the same as in "the
G-d
of Abraham," the word for Nachor's god lacks holiness. It connotes an
idol.
It is not a name of G-d. Therefore, the ritual procedures for writing
the
name of G-d are not followed.
In English, this distinction is indicated by an upper case G for "G-d"
and
a lower case g for the idol or "god."
A scribe's writing must be straight and beautiful, and in accord with
received calligraphic tradition. There is an exact tradition for the
calligraphic design of each letter in the Hebrew alphabet. The scribe
must
take special care with letters that may be confused with one another,
namely, the bet (c) and the chaf (f), and the dalet (s) and the reish
(r).
The form of each letter must be true, distinct from any other.
Likewise, the lines of the letter mem ('n) must be properly joined, so
that
it not resemble two separate letters, the chaf (f) and the vav (u). Nine
letters require three lines attached to their top. These lines (tagin)
must
be very thin, so as not to appear to distort the shape of the letter
itself.
To the rules of straightness and calligraphic propriety, there are rare
exceptions - "errors and omissions," so to speak:
Every letter must be enclosed on all sides by empty space; no letter may
run into another. Neither may any letter be excessively distant from
another, such that one word appears to be two. Each word must be
separated
by a space the width of a small letter, so that no two words appear as
one.
A space must also separate each sentence.
The dimensions and proportions of the parchment on which a Torah scroll
is
written are as follows:
Torah portions: Entire Torah portions, of which there are 54, are
either
"open" or "closed."
If "open," the space after their closing word is the width of at least
nine
letters, with the first word of the next portion beginning on the next
line.
If "closed," the space after their closing word is the width of at least
nine letters, with at least the first word of the next portion beginning
on
the very same line.
There is one exception: the last portion in Genesis. This is a
"super-closed" portion. The space between its first word and the last
word
of the preceding portion is the width of a single letter. That is, there
is
no visible separation between it and the preceding portion.
Word-column coordination:
It is not proper to end a column with the tetragrammaton.
Six words or phrases in the Torah must be positioned at the top of a
column: "In the beginning," "You are Judah," "Those who follow them,"
"the
two goats," "How goodly [are your tents, O Jacob]," "And I call [heaven
and
earth] to bear witness against them," and, in the phrase, "and the sin
offering Moses sought, sought," the first "sought."
The "Song of Moses" in the second to last portion of the Torah must be
written in 70 rows, each divided in two by a width of nine letters.
Above
the Song must be an empty row, preceded by six rows of Torah text;
beneath
the Song must be an empty row, succeeded by six rows of Torah text. Each
of
the six rows above and beneath the Song must begin with a certain word,
and
the first of the six rows above the Song must be the first row in the
column (the phrase beginning the top of this column is, "and I shall
call
[heaven and earth] to bear witness against them.") The sixth row above
and
beneath the Song must must fill to the end, so that a certain word is
positioned at its end.
The Song of the Sea (in this Torah portion) is similarly positioned,
except
that five rows precede and succeed it.
Biblical books:
The last row in Genesis, Exodus, Leviticus and Numbers must fill out the
entire line, while the last row of the Torah must end in the middle of
the
line.
Bo: Who rules? Man or G-d?
Vayera: The summoning of courage
Shemos: The paths of the hated
Vayechi: I go myself
Vayyigash: Two types of power
Vayeshev: Jacob's dreams, Karl's dreams