Rabbi Hillel Goldberg / Beshallah Shira
 
Symbols of undisputed unity
 
 
 A Torah scroll is a sight to behold. To be kosher, or fit, each letter
 must
 be shaped according to exacting calligraphic standards, and not a single
 letter may be missing. A misshapen or missing letter -- a single one! --
 cancels the fitness of the entire Torah scroll (it may not be read in
 the
 synagogue). Further, many other stylistic requirements give each and
 every
 Torah scroll throughout the world a clear and uniform beauty.
 
 I choose this portion to delve into the design of the Torah scroll
 because
 this portion contains one of the Torah's two major "typographical"
 variations: "The Song of the Sea." The second variation is the "Song of
 Moses," in the second-to-last portion of the Hebrew Bible.
 
 The Song of the Sea, which Moses and the Jewish people sang after their
 tormentors, the Egyptian taskmasters, drowned in the Red Sea, is
 presented
 in unique fashion. Instead of being inscribed line by line, with each
 line
 of equal length, and all lines together forming a vertical rectangle,
 The
 Song of the Sea is inscribed in this fashion:
 
 Then Moses and the Children of Israel 
 The actual Hebrew lines break differently in the Torah scroll from the
 way
 they break in the English translation above, but the design principle is
 the same: a full line on top, followed by this pattern: a line split in
 three, with words on each end and also in the middle; a line split in
 two,
 with words on each end; a line split in three again, etc.
 
 Actually, though all the other passages in the Torah (save the Song of
 Moses) are vertical rectangles, the scribal and design requirements of
 the
 Torah are extraordinarily complex. I record most of these requirements,
 each and one of which must be followed to yield a kosher Torah scroll.
 
 
 
 
 
 
 
 
 There are 14 Hebrew words representing names of G-d. Some hold that "I
 am,"
 as in Exodus 3:14's "I am that I am," constitutes a 15th name of G-d.
 
 Rarely, a Hebrew word representing a name of G-d has a secular
 connotation.
 Accordingly, the scribe need not follow the procedures just outlined. In
 Genesis 31:53, for example, Laban tries to settle his dispute with Jacob
 by
 telling him:
 "May the G-d of Abraham and the god of Nachor judge between us -- the god
 of
 their father."
 
 Abraham and Nachor were brothers. Abraham was a monotheist, Nachor an
 idolater. Laban was a pluralist, appealing to the gods of both of his
 ancestors: the One G-d and the idol-god. The "G-d of Abraham" connoted
 the
 One G-d. Accordingly, when a scribe writes the Hebrew word for G-d in
 "the
 G-d of Abraham," the scribe follows the ritual procedures outlined
 above.
 
 
Although the Hebrew word in "the god of Nachor" is the same as in "the
 G-d
 of Abraham," the word for Nachor's god lacks holiness. It connotes an
 idol.
 It is not a name of G-d. Therefore, the ritual procedures for writing
 the
 name of G-d are not followed.
 In English, this distinction is indicated by an upper case G for "G-d"
 and
 a lower case g for the idol or "god."
 
 A scribe's writing must be straight and beautiful, and in accord with
 received calligraphic tradition. There is an exact tradition for the
 calligraphic design of each letter in the Hebrew alphabet. The scribe
 must
 take special care with letters that may be confused with one another,
 namely, the bet (c) and the chaf (f), and the dalet (s) and the reish
 (r).
 The form of each letter must be true, distinct from any other.
 Likewise, the lines of the letter mem ('n) must be properly joined, so
 that
 it not resemble two separate letters, the chaf (f) and the vav (u). Nine
 letters require three lines attached to their top. These lines (tagin)
 must
 be very thin, so as not to appear to distort the shape of the letter
 itself.
 
 To the rules of straightness and calligraphic propriety, there are rare
 exceptions - "errors and omissions," so to speak:
 
  
 
  
 Every letter must be enclosed on all sides by empty space; no letter may
 run into another. Neither may any letter be excessively distant from
 another, such that one word appears to be two. Each word must be
 separated
 by a space the width of a small letter, so that no two words appear as
 one.
 A space must also separate each sentence.
 
 The dimensions and proportions of the parchment on which a Torah scroll
 is
 written are as follows:
 
 
 
 
  
  
Torah portions: Entire Torah portions, of which there are 54, are
 either
 "open" or "closed."
 If "open," the space after their closing word is the width of at least
 nine
 letters, with the first word of the next portion beginning on the next
 line.
 If "closed," the space after their closing word is the width of at least
 nine letters, with at least the first word of the next portion beginning
 on
 the very same line.
 
 There is one exception: the last portion in Genesis. This is a
 "super-closed" portion. The space between its first word and the last
 word
 of the preceding portion is the width of a single letter. That is, there
 is
 no visible separation between it and the preceding portion.
 
Word-column coordination:
 It is not proper to end a column with the tetragrammaton.
 Six words or phrases in the Torah must be positioned at the top of a
 column: "In the beginning," "You are Judah," "Those who follow them,"
 "the
 two goats," "How goodly [are your tents, O Jacob]," "And I call [heaven
 and
 earth] to bear witness against them," and, in the phrase, "and the sin
 offering Moses sought, sought," the first "sought."
 The "Song of Moses" in the second to last portion of the Torah must be
 written in 70 rows, each divided in two by a width of nine letters.
 Above
 the Song must be an empty row, preceded by six rows of Torah text;
 beneath
 the Song must be an empty row, succeeded by six rows of Torah text. Each
 of
 the six rows above and beneath the Song must begin with a certain word,
 and
 the first of the six rows above the Song must be the first row in the
 column (the phrase beginning the top of this column is, "and I shall
 call
 [heaven and earth] to bear witness against them.") The sixth row above
 and
 beneath the Song must must fill to the end, so that a certain word is
 positioned at its end.
 
 The Song of the Sea (in this Torah portion) is similarly positioned,
 except
 that five rows precede and succeed it. 
Biblical books:
 The last row in Genesis, Exodus, Leviticus and Numbers must fill out the
 entire line, while the last row of the Torah must end in the middle of
 the
 line.
 
In an era concerned about Jewish unity, consider: to my knowledge, there
 is
 no Jewish group, sect, rabbi or leader who suggests altering a single
 letter in the Masoretic Torah scroll, or a single ritual requirement for
 its preparation. There is no greater Jewish unity today than the
 unanimous
 agreement on the Torah scroll.
                      
Bo: Who rules? Man or G-d?
Vayera: The summoning of courage
Shemos: The paths of the hated
Vayechi: I go myself
Vayyigash: Two types of power
Vayeshev: Jacob's dreams, Karl's dreams